Difference between revisions of "101"
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|song name = 101 | |song name = 101 | ||
|album image = [[File:Theloverinme_album.jpg|100px|border|link=Album: The Lover In Me]]<br><small> from the album [[Album: The Lover In Me|The Lover In Me]]</small> | |album image = [[File:Theloverinme_album.jpg|100px|border|link=Album: The Lover In Me]]<br><small> from the album [[Album: The Lover In Me|The Lover In Me]]</small> | ||
− | |single image | + | |single image = [[File:101_single.jpg|100px|border|link=Single: 101]]<br><small>single art for [[Single: 101|101]]</small> |
|performer = [http://en.wikipedia.org/wiki/Sheena_Easton Sheena Easton] | |performer = [http://en.wikipedia.org/wiki/Sheena_Easton Sheena Easton] | ||
|first released = [[Prince_Vault:Selected_anniversaries/November 7|7 November 1988]] - [[Album: The Lover In Me|The Lover In Me]] album | |first released = [[Prince_Vault:Selected_anniversaries/November 7|7 November 1988]] - [[Album: The Lover In Me|The Lover In Me]] album | ||
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|introduction = '''101''' is the eighth track on [http://en.wikipedia.org/wiki/Sheena_Easton Sheena Easton]'s ninth album [[Album: The Lover In Me|The Lover In Me]], and, eight months after the album's release, [[Single: 101|101]] was released as the album's third single. '''101''' was written and produced by [[Prince]] (credited as [[Joey Coco]]). | |introduction = '''101''' is the eighth track on [http://en.wikipedia.org/wiki/Sheena_Easton Sheena Easton]'s ninth album [[Album: The Lover In Me|The Lover In Me]], and, eight months after the album's release, [[Single: 101|101]] was released as the album's third single. '''101''' was written and produced by [[Prince]] (credited as [[Joey Coco]]). | ||
− | Basic tracking took place on [[Prince_Vault:Selected_anniversaries/January_10|10 January 1987]] at [[Sunset Sound]] | + | Basic tracking took place on [[Prince_Vault:Selected_anniversaries/January_10|10 January 1987]] at [[Sunset Sound]] in Hollywood, California (four days before [[Jaguar]]). |
In a 2012 interview, [http://en.wikipedia.org/wiki/Sheena_Easton Sheena Easton] discussed the song's recording:<br>''"When you work with Prince, he's one of those kind of guys that likes to keep you off guard. You'd get the phone call saying 'Hey, come down to the studio. There's something I'd want you to hear.' Then you'd get down there, like with [[101]] and he'd play it and I'd be like, 'I don't know' and he'd say, 'Well, just go and sit and listen to it a little bit.' I'd go and he'd come right in and say, 'Let's go.' 'But I don't know it completely,' [I'd say]. 'Well just sing what you know, then,' [he'd say]. There's this part in there where I kinda go off-melody and I just start taking higher and higher and he says, 'Well, that's not the right melody but we're keeping that and we're gonna work with that.' And so it's one of those things that's really organic - just a great moment in the studio. Plus I like the production. I love the subway doors opening and closing. He wanted it to be very haunting, and to just be about the desperation in the voice - [and] about the concept of you being away from this person for forever, it seems, and you just can't bear it for one more night."'' | In a 2012 interview, [http://en.wikipedia.org/wiki/Sheena_Easton Sheena Easton] discussed the song's recording:<br>''"When you work with Prince, he's one of those kind of guys that likes to keep you off guard. You'd get the phone call saying 'Hey, come down to the studio. There's something I'd want you to hear.' Then you'd get down there, like with [[101]] and he'd play it and I'd be like, 'I don't know' and he'd say, 'Well, just go and sit and listen to it a little bit.' I'd go and he'd come right in and say, 'Let's go.' 'But I don't know it completely,' [I'd say]. 'Well just sing what you know, then,' [he'd say]. There's this part in there where I kinda go off-melody and I just start taking higher and higher and he says, 'Well, that's not the right melody but we're keeping that and we're gonna work with that.' And so it's one of those things that's really organic - just a great moment in the studio. Plus I like the production. I love the subway doors opening and closing. He wanted it to be very haunting, and to just be about the desperation in the voice - [and] about the concept of you being away from this person for forever, it seems, and you just can't bear it for one more night."'' |
Revision as of 23:04, 28 November 2017
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