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| Another configuration of the album contains a different sequence and including the unreleased tracks [[Make It Through The Storm]] (here titled [[Make It Through The Storm|We’ll Make It Through The Storm]]) and [[Amber Eyes]]. Some of the versions included vary in timing from the released album, and the unreleased sequence is listed below (although minor discrepancies do not necessarily indicate a different version of the song was used, and may simply reflect a difference in silence at the beginning or end of a track). | | Another configuration of the album contains a different sequence and including the unreleased tracks [[Make It Through The Storm]] (here titled [[Make It Through The Storm|We’ll Make It Through The Storm]]) and [[Amber Eyes]]. Some of the versions included vary in timing from the released album, and the unreleased sequence is listed below (although minor discrepancies do not necessarily indicate a different version of the song was used, and may simply reflect a difference in silence at the beginning or end of a track). |
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− | In a 2022 podcast [https://en.wikipedia.org/wiki/Tommy_Vicari Tommy Vicari] mentions he was sent an ‘LP length demo tape,’ prior to him working with [[Prince]] in the studio. And that the process creating '''For You''' was essentially them re-recorded each song track by track. [[Make It Through The Storm]] was mentioned as a track on that tape that didn’t | + | In a 2022 podcast [https://en.wikipedia.org/wiki/Tommy_Vicari Tommy Vicari] mentions he was sent an ‘LP length demo tape,’ prior to him working with [[Prince]] in the studio. And that the process creating '''For You''' was essentially them re-recorded each song track by track. [[Make It Through The Storm]] was mentioned as a track on that tape that didn’t |
| make the final cut. | | make the final cut. |
− | It is possible that the 1977 sequence that includes [[Make It Through The Storm]] and [[Amber Eyes]] is from the before mentioned LP length demo tape. | + | It is possible that the 1977 sequence that includes [[Make It Through The Storm]] and [[Amber Eyes]] is from the before mentioned LP length demo tape. |
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| [[Prince]] was credited for all vocals, songwriting, every instrument played on the album, as well as the whole arrangements and production. The only credit given to someone other than [[Prince]] is a co-writing credit to [[Chris Moon]] for the lyrics of [[Soft And Wet]]. Moon and Prince disagreed over credits due on [[My Love Is Forever]], which was financially settled after the album release. | | [[Prince]] was credited for all vocals, songwriting, every instrument played on the album, as well as the whole arrangements and production. The only credit given to someone other than [[Prince]] is a co-writing credit to [[Chris Moon]] for the lyrics of [[Soft And Wet]]. Moon and Prince disagreed over credits due on [[My Love Is Forever]], which was financially settled after the album release. |
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| [[File:1978-xx-xx_For_You_Retail_Poster.png|x200px]] | | [[File:1978-xx-xx_For_You_Retail_Poster.png|x200px]] |
| |trivia = An early configuration is known, containing a different sequence and alternate tracks. This is listed in the Alternative section above. | | |trivia = An early configuration is known, containing a different sequence and alternate tracks. This is listed in the Alternative section above. |
− | *''[[Billboard_Top_R&B_Albums|Billboard Soul LP’s Chart]] Chart progression'':<br><small>Entry position '''55''' (22 Jul. 1978), '''54''' (29 Jul. 1978), '''49''' (5 Aug. 1978), '''49''' (12 Aug. 1978), '''47''' (19 Aug. 1978), '''60''' (26 Aug. 1978), '''60''' (2 Sep. 1978), '''58''' (9 Sep. 1978), '''48''' (16 Sep. 1978), '''38''' (23 Sep. 1978), '''30''' (30 Sep. 1978), '''27''' (7 Oct. 1978), '''21''' (14 Oct. 1978), '''28''' (21 Oct. 1978), '''28''' (28 Oct. 1978), '''28''' (4 Nov. 1978), '''30''' (11 Nov. 1978), '''51''' (18 Nov. 1978), '''51''' (25 Nov. 1978), '''47''' (2 Dec. 1978), '''62''' (9 Dec. 1978), '''62''' (16 Dec. 1978), Exit position: '''67''' (23 Dec. 1978).</small> | + | *''[[Billboard_Top_R&B_Albums|Billboard Soul LP’s Chart]] Chart progression'':<br><small>Entry position '''55''' (22 Jul. 1978), '''54''' (29 Jul. 1978), '''49''' (5 Aug. 1978), '''49''' (12 Aug. 1978), '''47''' (19 Aug. 1978), '''60''' (26 Aug. 1978), '''60''' (2 Sep. 1978), '''58''' (9 Sep. 1978), '''48''' (16 Sep. 1978), '''38''' (23 Sep. 1978), '''30''' (30 Sep. 1978), '''27''' (7 Oct. 1978), '''21''' (14 Oct. 1978), '''28''' (21 Oct. 1978), '''28''' (28 Oct. 1978), '''28''' (4 Nov. 1978), '''30''' (11 Nov. 1978), '''51''' (18 Nov. 1978), '''51''' (25 Nov. 1978), '''47''' (2 Dec. 1978), '''62''' (9 Dec. 1978), '''62''' (16 Dec. 1978), Exit position: '''67''' (23 Dec. 1978).</small> |
| * ''[[The_Billboard_200|Billboard Top LP’s & Tapes]] Chart progression'':<br><small>Entry position '''190''' (28 Oct. 1978), '''181''' (4 Nov. 1978), '''173''' (11 Nov. 1978), '''165''' (18 Nov. 1978), Exit position: '''163''' (25 Nov. 1978). </small> | | * ''[[The_Billboard_200|Billboard Top LP’s & Tapes]] Chart progression'':<br><small>Entry position '''190''' (28 Oct. 1978), '''181''' (4 Nov. 1978), '''173''' (11 Nov. 1978), '''165''' (18 Nov. 1978), Exit position: '''163''' (25 Nov. 1978). </small> |
| |alternative = | | |alternative = |
For You is the first full-length studio album by Prince, and the first Prince-related release of any kind. The album was released when Prince was 19 years old, in April 1978, receiving international release later based on his success in the years that followed.
Sessions and compiling
Many of the songs (For You, Soft And Wet, Just As Long As We’re Together, Baby My Love Is Forever and I’m Yours) had been demoed by Prince as home recordings or early studio recordings in 1976 and 1977. These tracks were all re-recorded for the album, when In Love, Crazy You and So Blue were also recorded.
The album sessions took place at Record Plant, Sausalito, CA, USA, from 1 October 1977 to 22 December 1977, before overdubs and mixing were done in early January 1978-at Sound Labs, Los Angeles, CA, USA. While Warner Bros. had initially given Prince a budget of $180,000 for his first three albums, the album sessions of For You accumulated $170,000 in studio bills.
Prince’s handwritten notes as used in The Beautiful Ones book released posthumously in 2019 revealed a previously-unknown early configuration of the album, from which only three of the nine tracks carried over to the next configuration and to the final release - For You, Soft And Wet, and Baby. This configuration closed with a cover version of Stephen Sondheim’s song Send In The Clowns (incorrectly attributed by Prince as being written by Judy Collins, whose version he was probably familiar with). The notes also revealed four other track titles that were previously unknown (Bodyfreeze, Never Really Fell Out Of Love With You, You Are Everything To Me, and Let Me Touch You), as well as two tracks that were previously known but which did not make it onto later configurations (I Spend My Time Loving You and Love In The Morning). It is assumed that these tracks were indeed recorded, but it has not been confirmed that the album was ever actually compiled in this form; it is certainly possible that Prince was working through ideas when writing down this tracklist. The tracklist is included below as an early configuration.
Another configuration of the album contains a different sequence and including the unreleased tracks Make It Through The Storm (here titled We’ll Make It Through The Storm) and Amber Eyes. Some of the versions included vary in timing from the released album, and the unreleased sequence is listed below (although minor discrepancies do not necessarily indicate a different version of the song was used, and may simply reflect a difference in silence at the beginning or end of a track).
In a 2022 podcast Tommy Vicari mentions he was sent an ‘LP length demo tape,’ prior to him working with Prince in the studio. And that the process creating For You was essentially them re-recorded each song track by track. Make It Through The Storm was mentioned as a track on that tape that didn’t
make the final cut.
It is possible that the 1977 sequence that includes Make It Through The Storm and Amber Eyes is from the before mentioned LP length demo tape.
Prince was credited for all vocals, songwriting, every instrument played on the album, as well as the whole arrangements and production. The only credit given to someone other than Prince is a co-writing credit to Chris Moon for the lyrics of Soft And Wet. Moon and Prince disagreed over credits due on My Love Is Forever, which was financially settled after the album release.
Promotion
The album would produce two singles, Soft And Wet, issued two months after the album release, and Just As Long As We’re Together, released in November 1978.
Prince didn’t go on tour to promote the album. A band was assembled in late 1978-and played their first concerts with Prince at the Capri Theatre on 5 and 6 January 1979, but they failed to convince Warner executives that the band was ready to tour.
Charts
The album reached number 163 on the US Billboard Top LP’s & Tapes chart were it remained only five weeks. During the same period, the pop chart toppers were the soundtrack to blockbuster movie "Grease", Linda Rondstadt’s "Living In The USA", Donna Summer’s "Live And More" and Billy Joel’s "52nd Street".
On the Billboard Soul LP’s Chart For You fared a lot better, reaching number 21. However the album could not compete with other LPs of established black artists like Brothers Johnson ("Blam"), Ashford And Simpson ("Is It Still Good For Ya"), Funkadelic ("One Nation Under A Groove"), Barry White ("The Man") and Chic ("C'est Chic"); these albums together with other very successful LPs from Donna Summer ("Live And More"), Rick James ("Come Get It") and Rose Royce ("Strikes Again") trusted the first five positions in the Soul LPs chart from August to December 1978, making it almost impossible for Prince to reach top ten.
Sales
Owen Husney reported the album sold 150,000 to 200,000 copies in Trax Magazine in December 1979.
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Personnel
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Musicians
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- Prince - all vocals and instruments
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Production
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- Prince - producer, arranger, engineer, dust cover design
- Tommy Vicari - executive producer, engineer, remixer
- David Rivkin - vocal recording engineer (uncredited)
- Patrice Rushen - synth programming (uncredited)
- Charles Veal - string arrangement on Baby (uncredited)
- Steve Fontano - assistant engineer
- Dave Roeder - assistant engineer
- Mike Reese - mastering
- (Bernie Grundman - mastering on 1984 re-issue)
- Jeff Farmakes - art direction (The Ad Company)
- Joe Giannetti - photography
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Thanks
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- "Special thanks to God, Owen, Britt, Bernadette, My Father and Mother, Russ Thyret, Gary, David Rivkin / Sound 80 Studios, C. Moon, Eddie, Sharon and Eleanor, L. Phillips, Bobby "Z" Rivkin, Tom Coster, Graham Lear, Joe Giannetti, Patrice Rushen, Charles Veal, Jr., Shirley Walker, Knut Koupee Music, Chuck Orr, Lisa H., and You!"
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