Difference between revisions of "Under The Cherry Moon cues"

From Prince Vault
Jump to: navigation, search
m
m
Line 108: Line 108:
 
{{segue-line|
 
{{segue-line|
 
|title        = Check At Mrs. Wellington's
 
|title        = Check At Mrs. Wellington's
|information  = '''Check At Mrs. Wellington's''' is the music under the scene around minute 75 where Christopher goes to Mrs. Wellington's house and she gives him as check on behalf of Isaac not to see Mary again.
+
|information  = '''Check At Mrs. Wellington's''' is the music under the scene around minute 75 where Christopher goes to Mrs. Wellington's house and she gives him as check on behalf of Isaac not to see Mary again. [[Clare Fisher]] has a co-writing credit on this orchestral part.  
 
|type        = Released as part of score
 
|type        = Released as part of score
 
}}
 
}}
Line 123: Line 123:
 
{{segue-line|
 
{{segue-line|
 
|title        = Chris And Tricky Argue
 
|title        = Chris And Tricky Argue
|information  = '''Chris And Tricky Argue''' is the music under the scene where...
+
|information  = '''Chris And Tricky Argue''' is the music under the scene where... [[Clare Fisher]] has a co-writing credit on this orchestral part.  
 
|type        = Released as part of score
 
|type        = Released as part of score
 
}}
 
}}
Line 184: Line 184:
 
{{segue-line|
 
{{segue-line|
 
|title        = Chris On His Way Home
 
|title        = Chris On His Way Home
|information  = '''Chris On His Way Home''' is the music under the scene where...
+
|information  = '''Chris On His Way Home''' is the music under the scene where...    [[John L. Nelson]] has a co-writing credit on this orchestral part.  
 
|type        = Released as part of score
 
|type        = Released as part of score
 
}}
 
}}
Line 244: Line 244:
 
{{segue-line|
 
{{segue-line|
 
|title        = Jonathan On The Phone
 
|title        = Jonathan On The Phone
|information  = '''Jonathan On The Phone''' is the music under the scene where Mary is on the phone with her fiance, who is overseas for business and Christopher is interfering, starting at around 22 minutes in.
+
|information  = '''Jonathan On The Phone''' is the music under the scene where Mary is on the phone with her fiance, who is overseas for business and Christopher is interfering, starting at around 22 minutes in. [[Clare Fisher]] has a co-writing credit on this orchestral part.  
 
|type        = Released as part of score
 
|type        = Released as part of score
 
}}
 
}}
Line 252: Line 252:
 
|1= <b>Jonathan On The Phone</b>
 
|1= <b>Jonathan On The Phone</b>
 
|2= 1:04
 
|2= 1:04
 +
|3= [[Film: Under The Cherry Moon|Under The Cherry Moon]]
 +
|4=
 +
|5=
 +
}}
 +
}}
 +
{{segue-line|
 +
|title        = The Look
 +
|information  = '''The Look''' are the drums under the scene where Mary first makes eye-contact with Christoper at 15:57 in the film
 +
|type        = Released as part of score
 +
}}
 +
{{Songchart|
 +
|line =
 +
{{Songline|
 +
|1= <b>The Look</b>
 +
|2= 0:22
 
|3= [[Film: Under The Cherry Moon|Under The Cherry Moon]]
 
|3= [[Film: Under The Cherry Moon|Under The Cherry Moon]]
 
|4=
 
|4=
Line 379: Line 394:
 
{{segue-line|
 
{{segue-line|
 
|title        = Tricky Escapes / Mary In Grotto
 
|title        = Tricky Escapes / Mary In Grotto
|information  = '''Tricky Escapes / Mary In Grotto''' is the music under the scene where...
+
|information  = '''Tricky Escapes / Mary In Grotto''' is the music under the scene where... [[Eric Leeds]] has a co-writing credit on this orchestral part.  
 
|type        = Released as part of score
 
|type        = Released as part of score
 
}}
 
}}

Revision as of 00:00, 14 January 2019