| [[Prince]] revamped the track on [[Prince_Vault:Selected_anniversaries/February 15|15 February 1989]] (just two days after the end of the [[Lovesexy Tour]] in Japan, on the same day as recording [[200 Balloons]]), also at [[Paisley Park Studios]], and renamed it '''Batman Theme''' for use in the [http://en.wikipedia.org/wiki/Batman_(1989_film) Batman] movie project (and accompanying [[Album: Batman|Batman]] album), and the track was used in the background of an early unreleased trailer for the movie. A portion of [[We Got The Power]] is included at the end of the '''Batman Theme'''. The track was ultimately discarded as the project moved on, however. | | [[Prince]] revamped the track on [[Prince_Vault:Selected_anniversaries/February 15|15 February 1989]] (just two days after the end of the [[Lovesexy Tour]] in Japan, on the same day as recording [[200 Balloons]]), also at [[Paisley Park Studios]], and renamed it '''Batman Theme''' for use in the [http://en.wikipedia.org/wiki/Batman_(1989_film) Batman] movie project (and accompanying [[Album: Batman|Batman]] album), and the track was used in the background of an early unreleased trailer for the movie. A portion of [[We Got The Power]] is included at the end of the '''Batman Theme'''. The track was ultimately discarded as the project moved on, however. |
| On [[Prince_Vault:Selected_anniversaries/January 21|21 January 1991]], [[Prince]] submitted the track (now re-titled '''Jailbait''') to [http://en.wikipedia.org/wiki/Miles_Davis Miles Davis], along with [[17 (Penetration)|Penetration]] and [[20 (A Girl And Her Puppy)|A Girl And Her Puppy]], for his consideration. [[Prince]] wanted [http://en.wikipedia.org/wiki/Miles_Davis Davis] to record additional trumpet parts before sending them back. [http://en.wikipedia.org/wiki/Miles_Davis Davis] instead taught the three tracks to his band, and they recorded new versions of the tracks on 27-28 March 1991 at Bauer Studios (Studio 1), Ludwigsburg, Germany. The band also played them regularly on [http://en.wikipedia.org/wiki/Miles_Davis Davis]’ 1991 tour. After [http://en.wikipedia.org/wiki/Miles_Davis Davis] died in 1991, [http://en.wikipedia.org/wiki/Warner_Bros._Records Warner Bros.] asked [[Prince]] to add some post-production to the studio version of this track (as well as [[Can I Play With U?]], [[17 (Penetration)|Penetration]] and [[20 (A Girl And Her Puppy)|A Girl And Her Puppy]]) to include on [http://en.wikipedia.org/wiki/Miles_Davis Davis’s] first posthumous album, [http://en.wikipedia.org/wiki/Doo-Bop Doo-Bop], but [[Prince]] was not interested in contributing to tracks that he felt didn’t show [http://en.wikipedia.org/wiki/Miles_Davis Davis] at his best. The studio version (remixed by [https://en.wikipedia.org/wiki/Bob_Power Bob Power]) was planned for release as the 31st track on a 2001 box-set of [http://en.wikipedia.org/wiki/Miles_Davis Miles Davis]’ [http://en.wikipedia.org/wiki/Warner_Bros._Records Warner Bros.] work, entitled [http://www.miles-beyond.com/lastwordtracklist.htm The Last Word], but the track was not included on the eventual 2-disc 2010 release, titled ''Perfect Way''. | | On [[Prince_Vault:Selected_anniversaries/January 21|21 January 1991]], [[Prince]] submitted the track (now re-titled '''Jailbait''') to [http://en.wikipedia.org/wiki/Miles_Davis Miles Davis], along with [[17 (Penetration)|Penetration]], [[18 (R U Legal Yet?)|Are U Legal Yet?]] and [[20 (A Girl And Her Puppy)|A Girl And Her Puppy]], for his consideration. [[Prince]] wanted [http://en.wikipedia.org/wiki/Miles_Davis Davis] to record additional trumpet parts before sending them back. [http://en.wikipedia.org/wiki/Miles_Davis Davis] instead taught the four tracks to his band, and they recorded new versions of the tracks on 27-28 March 1991 at Bauer Studios (Studio 1), Ludwigsburg, Germany. The band also played them regularly on [http://en.wikipedia.org/wiki/Miles_Davis Davis]’ 1991 tour. After [http://en.wikipedia.org/wiki/Miles_Davis Davis] died in 1991, [http://en.wikipedia.org/wiki/Warner_Bros._Records Warner Bros.] asked [[Prince]] to add some post-production to the studio version of this track (as well as [[Can I Play With U?]], [[17 (Penetration)|Penetration]] and [[20 (A Girl And Her Puppy)|A Girl And Her Puppy]]) to include on [http://en.wikipedia.org/wiki/Miles_Davis Davis’s] first posthumous album, [http://en.wikipedia.org/wiki/Doo-Bop Doo-Bop], but [[Prince]] was not interested in contributing to tracks that he felt didn’t show [http://en.wikipedia.org/wiki/Miles_Davis Davis] at his best. The studio version (remixed by [https://en.wikipedia.org/wiki/Bob_Power Bob Power]) was planned for release as the 31st track on a 2001 box-set of [http://en.wikipedia.org/wiki/Miles_Davis Miles Davis]’ [http://en.wikipedia.org/wiki/Warner_Bros._Records Warner Bros.] work, entitled [http://www.miles-beyond.com/lastwordtracklist.htm The Last Word], but the track was not included on the eventual 2-disc 2010 release, titled ''Perfect Way''. |
| In 2021, a live version recorded on July 1st 1991 at Théâtre Antique in Vienne, France was included as the fourth track on the posthumous [http://en.wikipedia.org/wiki/Miles_Davis Miles Davis] live album [[Album: Merci Miles!, Live At Vienne|Merci Miles!, Live At Vienne]]. | | In 2021, a live version recorded on July 1st 1991 at Théâtre Antique in Vienne, France was included as the fourth track on the posthumous [http://en.wikipedia.org/wiki/Miles_Davis Miles Davis] live album [[Album: Merci Miles!, Live At Vienne|Merci Miles!, Live At Vienne]]. |
