Album: Originals: Difference between revisions
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[[Gigolos Get Lonely Too]], although written solely by [[Prince]] was intended for [[The Time]] and was credited to [[Morris Day]] when it appeared as the fifth track on their second album [[Album: What Time Is It?|What Time Is It?]], and was released as the album's third [[Single: Gigolos Get Lonely Too|single]]. Basic tracking likely took place on [[Prince_Vault:Selected_anniversaries/January_11|11 January 1982]] at [[Sunset Sound]] in Hollywood, California.<br> | [[Gigolos Get Lonely Too]], although written solely by [[Prince]] was intended for [[The Time]] and was credited to [[Morris Day]] when it appeared as the fifth track on their second album [[Album: What Time Is It?|What Time Is It?]], and was released as the album's third [[Single: Gigolos Get Lonely Too|single]]. Basic tracking likely took place on [[Prince_Vault:Selected_anniversaries/January_11|11 January 1982]] at [[Sunset Sound]] in Hollywood, California.<br> | ||
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[[You're My Love]] was written by [[Prince]], using the pseudonym [[Joey Coco]] when released, the first time this pseudonym had been used officially. The song was featured as the third track on American country music singer-songwriter [http://en.wikipedia.org/wiki/Kenny_Rogers Kenny Rogers]' album [[Album: They Don't Make Them Like They Used To|They Don't Make Them Like They Used To]], and as the b-side of [https://en.wikipedia.org/wiki/Ronnie_Milsap Ronnie Misap] and Kenny Rogers' single [https://en.wikipedia.org/wiki/Make_No_Mistake | [[You're My Love]] was written by [[Prince]], using the pseudonym [[Joey Coco]] when released, the first time this pseudonym had been used officially. The song was featured as the third track on American country music singer-songwriter [http://en.wikipedia.org/wiki/Kenny_Rogers Kenny Rogers]' album [[Album: They Don't Make Them Like They Used To|They Don't Make Them Like They Used To]], and as the b-side of [https://en.wikipedia.org/wiki/Ronnie_Milsap Ronnie Misap] and Kenny Rogers' single [https://en.wikipedia.org/wiki/Make_No_Mistake He's_Mine#Ronnie_Milsap_and_Kenny_Rogers_recording Make No Mistake, She's Mine]. Although exact recording dates are not known, basic tracking for [[Prince]]'s original version took place in March 1982 at [[Prince]]'s [[Kiowa Trail Home Studio]]. which is the version on this release. [[Clare Fischer]] added orchestral overdubs in May 1986, by which time the song was attributed to [[Prince and the Revolution]], but Kenny Rogers and his band re-recorded the song in 1986. Kenny Rogers' version of the song contains no musical input by [[Prince]] or [[Clare Fischer]].<br> | ||
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[[Baby, You're A Trip]] as it appears on this album is from 1982, but did not get an 'associate artists' release until 1987 when it was released as the eighth and final track on [[Jill Jones]] [[Album: Jill Jones|eponymous album]]. It was also included as the b-side of [[Jill Jones]]'s [[Single: For Love|For Love]]. Basic tracking for the original version took place on [[Prince_Vault:Selected_anniversaries/July_8|8 July 1982]] at [[Sunset Sound]] in Hollywood, California. The version on this album has overdubbed [[Jill Jones]] vocals alongside [[Prince]]'s guide vox. <br> | [[Baby, You're A Trip]] as it appears on this album is from 1982, but did not get an 'associate artists' release until 1987 when it was released as the eighth and final track on [[Jill Jones]] [[Album: Jill Jones|eponymous album]]. It was also included as the b-side of [[Jill Jones]]'s [[Single: For Love|For Love]]. Basic tracking for the original version took place on [[Prince_Vault:Selected_anniversaries/July_8|8 July 1982]] at [[Sunset Sound]] in Hollywood, California. The version on this album has overdubbed [[Jill Jones]] vocals alongside [[Prince]]'s guide vox. <br> | ||
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The 2019 mixing was presumably done out of technical necessity, because originally the tracks were never properly remixed and/or such mixes were not preserved to a high quality re-suable storage medium such as 2-track tape. | The 2019 mixing was presumably done out of technical necessity, because originally the tracks were never properly remixed and/or such mixes were not preserved to a high quality re-suable storage medium such as 2-track tape. | ||
[[Noon Rendezvous]] seems to have been given a 2019 mix that was not approximating anything [[Prince]] originally did with the track in 1984, as it seems likely that if it were, this mix with the a capella intro, would have been the version that would have ended up as such on the [[Album: The Glamorous Life|The Glamorous Life]] album with [[Sheila E.]] simply replacing [[Prince]] guide vocal with hers. | [[Noon Rendezvous]] seems to have been given a 2019 mix that was not approximating anything [[Prince]] originally did with the track in 1984, as it seems likely that if it were, this mix with the a capella intro, would have been the version that would have ended up as such on the [[Album: The Glamorous Life|The Glamorous Life]] album with [[Sheila E.]] simply replacing [[Prince]] guide vocal with hers. | ||
The 'Cinematic mix' of [[Nothing Compares 2 U]] that appears as a bonus track on the cd available from Target and on the Japanese release was made in 2019, constructed with the separate tracks found on the 24-track master including the Clare Fischer arrange that is audible only slightly on the regular [[Prince]]-vocal version – indicating that in itself is also mixed after the fact and not the true original that would not yet have featured the orchestral arrangement. | |||
Revision as of 13:00, 24 June 2019
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